Viewing entries tagged
representation

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Good Visibility, Clear Spells

Ah hello Bazzers. We’ve missed you these past few weeks - we hope you are keeping well and busy - because we are too! (yes yes we’ve just done that annoying dinner party question where you ask someone something that’s a lead into a humblebrag...don’t judge us) And because we’re not quite ready give up on summer yet (the branches of the nearest tree are tapping at Baz HQ windows incessantly today but we’re still wearing sunglasses inside) we thought our sunny attitude would suit our latest favourite trend in the arts - that of representation and conscious inclusivity (yes we did coin that, you’re welcome, we’re not just a pretty face)

As the hazy summer of the Edinburgh Festival starts to clear, and again, the range of talent, imagination and excellence of what (interesting and smart) happenings at the Edinburgh Festival, hopefully doesn’t stay there - news has returned of fabulously funny jokes, new talents, exciting dance performances and new ways of presenting work. And we’ve been thrilled to note all done by a new wave of acting, dancing and comedic talent from ridiculously able disabled performers, and D/deaf actors - unrepresented artists signalling the latest change in the arts - making the invisible, visible.

Of course, the  likes of Graeae, a theatre company running for years doing great work both onstage and off to promote a new generation of performers, constantly pushing the envelope and making great strides for decades. However, it seems Edinburgh Festival was all about representation this year: and not just for visability’s sake - also to approach old text in new ways - take for example a relaxed performance of Samuel Beckett’s seminal ‘Not I’ - a 20 minute, speed of thought monologue first performed by Billie Whitelaw in 1973, as she was suspended in absolute darkness above the stage, with only her fastly moving mouth visible. In a nod to inclusivity - this new performance still features an excellent actress in the role, but this time also with a sign language interpreter and performer including the audience and making the piece a different animal altogether - receiving rave reviews and earning a spot in the Battersea Arts Centre listings later this year.

Fantastic dreamplay producer Liz Counsell also recently produced and worked on the latest Deaf Men Dancing show - a brilliant showcase of dancing, talent, representation and LGBT awareness - again to great reviews. And the brilliant Reasons To Be Cheerful - a musical poised to strike later this year, inspired by Ian Dury’s story has won great audiences and acclaim. And interesting fact: Baz trainee director Stephen Lloyd is attached to this brilliant project, double win. More theatre companies, grants and opportunities for d/Deaf and disabled performers are becoming available every year - with Graeae launching writing opportunities too - marking a real commitment for inclusivity in every element of the arts. DaDa Festival grants, the Accessible Edinburgh Awards this year polled visitors to shows and awarded venues, artists and theatre companies alike for their commitment to reaching new audiences with a fresh wave of talent in everything from comedy, music, dance and theatre. And with the ever popular Brighton Fringe Fest making brilliant promises for their accessibility and programme too, these are truly exciting times to be making art.

To that end, we ourselves had the pleasure to meet D/deaf and disabled artists for a casting call for our next big project and left it more excited than ever to not only present our work, but also to introduce a new year of performers we’ll be so proud to call Bazzers and join the team - with the arts under threat it’s now more important than ever that we push forward new agendas, send the money where it needs to go, and appeal to new audiences and the next performers of tomorrow. Come and join the party, the weather’s clearing up, sunny skies ahead. We can’t wait to get started!

Here just to show that anything can be possible, deaf model, winner of America’s Next Top Model and advocate Nyle DiMarco, mastering the cha cha on America’s answer to Strictly Come Dancing - all done with hard work, rehearsal, and counting despite not being able to hear a beat. Amazing. Oh and fair warning, the shirt comes undone around the 0.13 mark. We say warning….you're welcome.

Love, Baz

xx

 

 

 

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You wait for one, and then three come along at once.

Shiny happy people calmly protecting women's rights in the Trafalgar Square sun

Shiny happy people calmly protecting women's rights in the Trafalgar Square sun

Hearty Hello, Bazians! How are you? We are feeling mighty fine with all this people power whizzing around like kinetic energy (something that may have been in our coffees this morning...sorry, we’re just excited) but It’s here and it’s really happening - people willing to stand up for what they believe in. And that makes us very happy at Baz HQ. So happy that we’re going to do some of our famed Baz Book Reccs to celebrate!

As we’ve talked about in previous blog posts - culture and art reflects society - at it’s basic level, that’s what it’s for - but it also challenges, highlights and even twists it: even our Dear Shakey of Stratford Upon Avon (we think it should be called that actually, more fitting) fabricated a few truths about King Richard much to the dead king’s annoyance (his winter of discontent lasted for centuries, poor bloke) but for the most part - theatre is a set and a stage we recognise, showing uncomfortable truths or reminding us of gross injustice.

The most interesting thing we’ve seen in the arts quarter is theatre companies and arts hubs calling for scripts or short pieces that defy Trump, the NHS, any given issue threatening to unsettle the globe’s equilibrium - with proceeds going directly to charities or to organisations threatened by governments. This past week we’ve seen three major global protests, with the Women’s March, the peaceful sit-ins at US Airports and Anti-Muslim ban rallies. These movements were announced sometimes within hours of the event and the numbers were ridiculous and astounding. And so hopeful. When we here at Baz have a tea break, we like to casually log on to the main page of the petition to ban Trump’s state visit to see just how many thousands it’s risen by - and if you want to add your name to the rising number, by all means, click here: http://petition.parliament.uk/petitions/171928

It’s impossible and quite crass to assume protestors are any particular type of person: we’ve seen families, children sitting on Dad’s shoulders at the Women’s March in Trafalgar Square, grandmothers pushed in wheelchairs pushed by their granddaughters in DC - all races, types, sizes, genders and it got Baz thinking that these should be the audiences that make up a theatre of tolerance, or freedom of speech and of fair representation. It hardly needs saying that the great classics of the theatre are not exclusively or even a little bit made by us: we import the arts as much as we do anything else and we should be proud of it. Support Muslim voices, talent artists, hell, support all cultures and all voices – show these men with suits and power that we are more eloquent, moving and effective then they could ever be.

Here then are some prime texts we here at Baz HQ recommend that stand the test of time and are fine reads in protest:

 The Resistable Rise of Arturo Ui, Bertolt Brecht – The godfather of politically themed, important theatre, this play, coming pretty recently off the interwar period and hot off the heels of WW2 satirises the rise of Hitler in Germany whilst making the darkly comic point of how and when he should have been stopped. Real, scruff ofthe neck theatre.

East Is East, Ayub Khan-Din - Though it lives on as a fantastic British Film, East is East was first a play, and a successful one too at that, showing the normalcy, the truth of what home is to this family settling in East London, and what makes up a British family today. Warm, funny and engaging, a standard of characters and plot that has ensured it lasts.

Taking Sides, Ronald Harwood- The true story of German conductor Wilhelm Furtwangler, who aligned himself with Hitler during the war, and the struggle between principles, safety, and art. Starkly honest – a great example of how exposing a truth in art doesn’t need to shame, it can simply explain and reverberate around an audience in understanding.

There’s so much, too many examples to mention: Women’s festivals, the Bechdel Test, plays in response to FGM, theatre companies like Tamasha, Talawa, theatre nights in theatres, studiosm and spaces that seek responses to these current events are growing in size and popularity – who knew? It’s cool to be informed, even cooler to speak up.

Last month, Paisley and pastel colours were in. This month, it’s protest - and my does it suit every single one of you.

See you at the next one, we’ll be the ones with placards, a baby bjorn and a hot thermos of tea. Let’s keep the party going.

Much love.

Baz x

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