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Baz Vibes - Five O'The Best

What's the betting that deckchair on the right is going to order that deckchair on the left go get the ice creams and 'stop being a whiny cow' - Bank holidays, huh

What's the betting that deckchair on the right is going to order that deckchair on the left go get the ice creams and 'stop being a whiny cow' - Bank holidays, huh

Hey Bazzers! Us here again, fresh-faced and sun kissed (ok, slightly sunburned) from that scorcher of a Bank Hol Weekend - and as the longer days encourage shorter sleeves, brightly coloured drinks and the fact that your mum says you can play out later, we thought with all the nonsense happening in the world currently, why not keep it positive with some of our Favourite Things we here at Team Baz have appreciated recently. So without further ado -five of our most favourite things we are digging this month. Lift up the red curtain! (well, not really, there isn't one, but work with us here) 

- Our Mates, Doing the Thing: Out BazPals always keep our dance card very full and brimming with excellence- and with fantastic works of music and theatre such as Laura Moody and the Phaedra Ensemble in their piece 'Medium' (link) there is always an embarrassment of riches from Baz collaborators and pals. And from our ADs too - as Sarah Bedi directed a celebration of the Bard with Globe Theatre players in 'Shakespeare Within the Abbey'. That is to say, Westminster. You know, just casually.

Rooftops, Courtyards and Banks: After a weekend such as this - a shock to the average theatre type, used as we are to working in a black box all day and not stepping outside until sundown. (Hang on...are we all vampires? Fully researched, intense blog to follow) This shock to the system has side affects that include- a sudden, uncalled-for abundance of pale skin, day drinking, lounging and generally 60% less theatre than usual. But with courtyards like Somerset House, housing the Courtauld Institute and Gallery and sculpture court (WITH FOUNTAINS), the small deckchair village that multiplies in front of the National Theatre, or various themed bars on painfully cool Hackney roofs, what choice do we have, really? Yeah, yeah no: we're just taking this to work outside.

Vegan Food: Yes, this can be a bit polarising, forgive us: but unusually, we have, in the Baz triumvirate a Vegan Majority (good name for a band) and majority rules, so. The good weather usually brings out good food stalls - but all year round Hackney Vegan Festival, LDN Vegan Nights and lunchtime vegan street stalls are becoming a common sight. Chuffed. But if you get bored of lettuce, word to the wise: Temple of Seitan do devilishly good Vegan Fast Food. Thank us later.

The Prominently Female Jury at Cannes This Year: Women and film have had a turbulent relationship since time immemorial - but really rocky recent times has not made it a friend to women. This year's jury at Cannes - where, a few years earlier, women weren't allowed into screenings wearing flat shoes -is made up of Cate Blanchett, Ava DuVernay, Lea Seydeux, Khadja Nin and Kristen Stewart. Oh, and a few token men. And it's not even for a female-only category! Progress, thy name is Cannes. Keep it up and maybe film can redeem itself. 

Childish Gambino's Track and Video 'This Is America: Put simply, when art does the thing. Part modern art and music video, this could potentially be installed in the Tate Modern, and featured in your dissertation. Art at its most provoking. 

Special mentions to the upcoming all-female Ocean's Eight film, avant-garde punk choreographer Michael Clark's latest stunning, Bowie-infused offering 'To a Simple Rock n Roll...song' is on iPlayer, starlet Zendaya turning up to the Met Gala and embracing the theme of Catholic imagination dressed as the most fashionable Joan of Arc we've ever seen, but most importantly -  Graeae Theatre Company's Sensibilty Festival in Birmingham coming up later this month, 18-20th May featuring work from D/deaf, blind and disabled artists - more info on their twitter @graeae

More as we get it, but sorry we have to go - a deckchair was just vacated. You get the ice creams, yeah?

Big love and Best,

Baz x

 

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The French Discotheque and You (have more in common than you think)

Like most of you Bazzers, we here at Baz HQ are dismayed and a bit broken by Britain’s decision regarding the EU. Still. Apart from anything the cross-pollenisation of cultures, works, and talent from all over Europe will be sorely missed. From all other angles, political, economical or just purely human, a massive loss. But. We are sure you have had enough dissection and debate to last a lifetime, so here, let’s celebrate some of the best movers and shakers of our neighboring nations instead. Movement and dance are very important to Baz – keen as we are to provide experimental and challenging theatre, this does not limit itself to purely dialogue. Not by a long shot!

Like you, we were not expecting, on a soggy Friday evening to be transported by one performance on the Graham Norton Show. Enter Christine and The Queens  - your new jam, and no excuses. You’re putting this on your toast every morning from now on. Unrepentantly French, incredibly catchy, electronic dance, yes yes – but the dancing was like a play. There was a dialogue to her movements with her four male dancers, and clad in the exact same outfit, a uniform, even – this was a genderless presentation of what a music, art and theatre could be, all together. Post performance interview, she praised her choreographer responsible for “that great genderless energy” and her dancers for making her apparently no less awkward, in fact “I’m still awkward, but now with style” Us too, Christine, us too.

Such a synapse-firing performance got us thinking here at Baz HQ about movement and how important it is to Baz. Conversations without words, mirroring action, that strange other level of intimacy brought about by choreographed movement comes down to much more than arriving in the correct spot to catch your dance partner. Trusting your scene partner with a performance, with lines, is one thing, trusting them with your body is quite another and that’s what makes it so fascinating and vital to Baz. This piece, showcased in Wim Wenders' excellent tribute/documentary of  Pina's work couldn’t prove the point more:

An absolute hero of dance and a true visionary, her multi-talented, multi-cultural (ha, see how that worked out, almost as if we’re all on one planet and should learn to share hah…that’s the last of it, we promise) company of talented, free, ego-less dancers have placed such trust and faith and loyalty to her vision that it makes us here at Baz choke up a bit. Dance seems to be the perfect companion to the artistic project: as an impossibly cool French collective supporting equally cool French pop, or to showcase the discipline of the thing with Pina, or, as shown in last year’s Tate Modern celebration of Musee De La Danse, dancing among the most important framed works of the 20th century, not as decoration, but an art form in and of itself that has just as much to say.  If not more. And if the image of people from all corners of society and culture coming together under a massive disco ball to dance to music blasted through the speakers any which way you want is not Utopia, we don’t know what is.

Just gone 3:30 on a Tuesday? Feeling a bit self conscious? Sure, but why wait until the christmas party? eff it, let's dance, Jeff! THERE IS A MASSIVE DISCO BALL! 

Just gone 3:30 on a Tuesday? Feeling a bit self conscious? Sure, but why wait until the christmas party? eff it, let's dance, Jeff! THERE IS A MASSIVE DISCO BALL! 

Though our aim here at Baz is to bring something new to you, exciting and experimental – we are mainly seeking to show you the importance of the things we take for granted – bumping into someone into the street and apologizing, for example – dialogue and movement. Means next to nothing on a rainy day in May, but put it on stage it changes – lead them out of the theatre and have them watch it, choreographed on that rainy May day in the street, it changes yet again. Like Music, like dance, like art and like theatre, that division between artist and audience is always blurred. That’s why you might find Baz cast members doing anything from sitting on an audience member’s lap, or pulling them into the performance space to laugh derisively at someone else. Community. Inclusion. What we could do with right now.

We’ve all danced like loons in the club, right (Baz had the distinct pleasure in trying to replicate Christine and the Queens moves in a sweaty bar off Soho at Pride 2016 a few weekends ago) And we’ll never dance like these amazing so-and-sos that make up  the companies like the Michael Clark Company and DV8 who can recreate that free, sweaty and stuffy experience with style and realism, like actors onstage - the real experience, replicated. Like a good photograph, like a classic painting, like good writing, dance is vital and dancers capture that moment too, in the purest way. Plus those dancers move it most probably better than Baz can ever do and with a lot more style.


But as Christine says. Awkward, but with style.

 

We heart you, dance.

 

Happy dancing days!

 

Love, Baz x

 

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