Whoo! Hi Bazzers! Us again, we're back! We hope this blog finds you well, as one can be after a weekend - we're here to keep you all in the loop once more with all things Baz. Cos we're loopy like that. Ah and this is from the vaults (both metaphorical and Waterloo) to bring you some thoughts from our epic Stage manager Libby: Always there with a light/a joke/a cuddle/ a towel from when you get out the bath she ran before every show, pyjama provider, engagement ring arranger and lighting manager. You get a lot in the deal that is Libby the Rock. Much more badass than Dwyane Johnson (though don't tell him we said that)
So anyway, here it is: some brilliant thoughts from our all rounder -at the point just before we got into the space - here Libby reflects on her growing responsibility and inclusion - far from being intimidated, she took on every challenge, and learned there was literally nothing she couldn't do. We literally couldn't have done it without you, Libby. Take it away!
I trained in Theatre practice at Drama School and have worked in Theatre and live events for over 11 years. I have spent time in a lot of rehearsal rooms and each show is unique, offering a different set of rules to bring about different outcomes. I have worked a lot in music production, events, festivals and circus so coming back to theatre is a really good feeling. Being a part of a creative process again, exploring and finding with a group of people is very exciting. In Baz’s case, the daily structure of the week is outlined by the director, I share that daily with the entire company along with general and specific notes from that day’s rehearsals. Each scene is worked on with high-focus, there are improvisation games, text work, movement sessions. I help record and action this.
When it comes to Theatre for me the most exciting way to work is collaboratively; sitting in the corner of a room all day can take its toll so being made to feel like part of the company, having interesting discussions not just about the play, script or character but life experiences, daily experiences, things that have happened to friends, are all discussions that I am encouraged to be part of. And that is very exciting and liberating. That, to me is my definition of experimental theatre.
I also love what we are working toward, what the performances will be. The structure of the play is being found in rehearsals and a lot of the content that will build the play will be found in performance every night. There are no solid cues, no book (in fact a lot of the time no script), no big changes of set. The play is alive; my task is to help keep it so. I need to be as in tune with the scene, content, theme, understanding, cast and research as anyone else ‘on stage’. And rehearsals are not a time for me to do paperwork but for me to be engaging in the process.
I’m in my 3rd week with BAZ and I am really enjoying each day. I really enjoy how organised Sarah is, the rehearsal day is clear, structured and really enjoyable. I’m really learning not to be self-conscious, my opinion / thoughts / feelings are often asked for during this process and that’s quite unusual for me to speak up! I really enjoy being involved in a collaborative process and working with BAZ has given me more confidence to (when asked) be actively involved, reading in lines, standing in as an audience member, joining in the warm up and speaking in research / analysing sessions.
Its important not to have any pre conceived thoughts before arriving into a process like this. Before I arrived I read the play and drew up the usual paperwork pre rehearsals, props list, character and scene breakdowns etc. But once rehearsal began I soon realised I will need to be open to the process and not confined with paperwork or tradition methods of working. This is something I teach often when I work back at my old drama school so it is really good practice for me to be doing it live! The structured paperwork I originally made I have shed in favour of more free flowing templates that I can fill in. I am very much looking forward to the outcome of this play, I have no idea yet, even at this stage of rehearsals, what the entire outcome will be, there is a real feel of adventure and play. I’m definitely on my toes.
Isn't that exciting? Makes us feel we want to get right back into the process of putting on a show again! What Libby didn't know was that the resulting production would keep her on her toes and her toenails, but she never got down or stressed, and did whatever was right for the cast or production, whatever the task. That's dedication, professionalism and class. It always went like a dream.
We love you Libby! What no, shut up there's something in YOUR eye...
ext week we'll have more thoughts from our company, this time mid-late production from our epic dynamic design duo, Naomi and Josh! You don't want to miss it!